I thought I would report back on testing of Dante for long range remote audio applications.
I used a pair of these:
To send 2 Dante channels over a 3km wireless link on the weekend.
I picked it up on the other end with a laptop and could record the channels.
I had 3 hours of glitch free recording.
I’m not sure what the channel limit would be for a 100meg wireless link but for most purposes, 2 channels is fine for remote audio applications.
I didn’t measure the latency as it’s not really important in this application, but I did crank the latency settings right up in all the Dante settings.
I am going to be using it for Audio distribution for a large scale airshow. I have to get audio to 5 locations distributed across 2km of runway and audience viewing areas.
I am going to be using it for Audio distribution for a large scale airshow. I have to get audio to 5 locations distributed across 2km of runway and audience viewing areas.
This will save a lot of cable and yellow jacket.
Ahhh…this explains the Dante analog out post. [ ]. What do you think of their gear so far? I’ve thought about trying something from them for an access point(s).
I am co-ordinating the frequencies for the event so no jammers.
Even so, nobody blocks 2.4Ghz.
The ubiquti gear has an ‘illegal’ mode so you can boost the power to ‘insane’ levels for extremely long range. The only one doing any jamming will be me
You just set the country to Estonia and it unlocks the high gain mode.
Haha! Can we have a reply from any Estonian iLive users on what the 2.4GHz reception is like from this NZ airshow? maybe as your next project you could live stream to the east coast of Australia.
Adam Biggs
T80 surface & iDR48
MixPad for iPad & Tweak for iPhone apps
Asus N61 Laptop (x2 wireless)
Windows 7 Pro 64bit
Mac Mini Server w/Mountain Lion
with Belkin PlayMax N600 HD router
Dante card tracking into Reaper with playback via FooBar (PC) or Presonus Capture/Studio One (Mac)