How do you setup your surface

iLive Archived iLive Discussions
1

The advantage of a fully customizable fader bank is that it offers great flexibility to the setup. I’m curious how some of you routinely setup your strips.

Here’s what I do on my T112(usually):

Layer A 1-12 Input Groups and DCAs

Layer A 9-24 Input Vocals (or other “money” channels)

Layer A 25-32 Monitors and Main output DCA

Layer B 1-24 Inputs

Layer B 25-32 FX 1-4 and IP FX 1-4

Layer C 1-12 More inputs

Layer C 9-24 Local board inputs (CD player, iPod, Talk Back, etc)

Layer C 25-32 FX 5-8 and IP FX 5-8

Layer D 1-12 Outputs, Output Matrixes

Layer D 9-24 House Recording mics

Layer D 25-32 DCA mute groups

I spend most of my time in Layer A which gives me my input groups, vocals, monitors and main DCA. I switch the right hand bank to the FX on layer B and C as needed, and drop down to layer D when I need a mute.

Layer B is my input channels and where I control the balance in my groups

Layer C is even more inputs and the local inputs to the board

Layer D is my outputs, and is seldom used. It is also my audience and other recording mics.

-d

2

On most of my installs, because of the unfamiliarity of the console for the client, my set up is usualy this:

Layer A:

Inputs 1-20 , DCA 1-8

Layer B:

Inputs 21-40, Sends 1-8

Layer C:

Inputs 41-64 (some stereo), Matrixes and Mains

Layer :angry:

Fx returns, FX sends

Then, ill let them change it up to taste.

Gil Parente

Design & Integration

Entertainment Arts, Inc.

iLive 176, T112

iDR48 , iDR16, iDR10

Multiple iPads

Dante

Etc…

3

I do the same as Gil but have FX on layer C and Masters on layer D and Ch 49-64 on layer D

Cheers

Dave

T112|iDR48+ACEcard|Laptop|iDR16|iPad|iPS10

4

I specialise in theatre, so my usual setup is as followsL:

Left hand bank: Inputs

Usually the top two layers for radio mics, the bottom two for band/orchestra (or a expansion/contraction of this arrangement depending on the requirement)

Middle bank, top layer: Any fader that is pertinent to the current scene, eg radio mics, DCAs, PC playback, etc.

Middle bank layer B: DCAs - Usually split into Drums, Backline, Reed section, Brass section, Strings, Keyboards. Then a DCA master for all music, and one for all vocals.

Middle bank layer C: FX sends

Middle bank layer :angry: FX returns

Right hand bank, top layer: Main outs (LR, LCR or LCRSub) plus recording group splits

Right hand bank remaining layers: Aux outs

My workflow thus is left to right on the surface. From scene to scene, the only things I usually change are fader levels, mutes, panning, DCA assingments and Fader Strip assignments.

5

T80 user here, essentially a fixed install in a church:

Bank 1:

A: 4 x handheld vox mics, 4 x headworn speech mics, lectern speech, AV1 (stereo), AV2, CD(Stereo)

B: Kick, snare, OHs’ (stereo), Tom1, Tom2, Tom3, Bass, EGtr1, EGtr2, AGtr1, AGtr2

C: Keys 1, Keys 2, Piano (stereo), Violin1, Violin2, Viola, Cello, DBass, Oboe, Clarinet, Sax, Flute,

:angry: 4 x handheld vox mics (duplicate) 4 x Choir mics. - duplication here allows singers and choir to be easily balanced together.

Bank 2:

A: DCA’s for: Drums, Bass, Guitars, Keys, Strings, Wind, Vox (singers, inc choir), Band (all instruments)

B: Monitors 1-8

C: Loop, Overflow, Recording and 100V line aux mixes Reverb FX, Delay FX

:angry: - available for customisation.

Not strictly layout, but might help explain logic:

Masters and matrices are hidden to help protect system EQ/delay/limiting, but accessible to those who know what they’re doing. Speech and playback wired straight to Master mix, no DCA. Band/Vox muting and levelling by “master DCA’s”.

Those of us with in-depth knowledge of sound/iLive will tend to customise for events much different to the normal Sunday services, otherwise the defaults as above give us a working mix within minutes of everyone showing up, and everyone knows where to find things.

First thing when arriving at a new rig is to hit the “defaults” softkey to recall a default scene, and plug in/unmute/customise/mix from there. Hit “defaults” when done, and the system is reset with all inputs muted ready for the next job.

Muuuch quicker than the old 32ch analogue with input/output patchbay it all replaced…

Work web: https://www.allsouls.org

Home web: https://abstractnoise.co.uk

6

i have surface only scenes ready for unfamiliar users basic is:

layer d is my channel split for monitors

works pretty good

with anything else (groups/dca and such) i wait till it is requested

cheers

dave

allways latest firm and software

iLive-144/t-80/idr-10 /idr-48/dante/pl-6/eyepad 1/belkin router/

7

My setup on t112 is

left bank

A inputs

B inputs

c not used

d not used

middle bank

A inputs

B stereo inputs cd/pc …

C

D corporate event stuff video inputs…

Right Bank

A efx returns

B efx Masters

C AUX Masters

D group, L+R+M

agutin.com

1x T80

2x iDR32

2 X M-MADI CARDS

2 X M DANTE CARDS

desktop+2x RME HDSP MADI

Macbook Pro,2x Macmini+DVS

T34-T80-T112-T144

evolution of SOVIET TANK

8

Excellent topic and particularly interesting is why people choose the layouts they have.

We are also a fixed install at a church with a T112. Different engineers have different layouts, some prefer to mix on DCAs and others in other ways.

My latest iteration, in which I have been reducing my dependency on an outboard Behringer BCF fader module attached to an editor (for extra Fader control) is as follows.

My concept is to be able to have everything available somewhere and to have in one layer (Layer D): all the things I immediately want to access as I mix. This isn’t totally possible e.g. FX + all the channels so I mix up my compromises to see what works for me this month :smiley:

Furthermore, I aimed for a Right Master config so outputs are in the Right banks making it easier for sound checks and FX changes

So Layer D (My mix layer) has:

Left : Bass | Drums | guitars and Keyboard DCA

Centre : BGV DCA | Frontline Vocals | Wireless Mics

Right : immediate access vocal FX e.g DDL, main outs & FOH Matrices

The other layers which have the fuller lists are:

Layer A

Left :Bass, drums & MD mic for band IEM instructions

Centre :Gtrs, keys

Right :AUX - IEM

Layer B

Left :Vocal channels (6xBGV, 6xFrontline)

Centre :other vocals e.g. Keyboards, wireless, headsets etc

Right :AUX - foldback speakers, production talkback feed, OB etc.

Layer C

Left :DCAs (not mutes)

Centre :FX returns

Right :FX sends

Soft Keys have mutes:

1 - Drums mute DCA

2 - bass Mute

3 - Acoustic Gtr Mute

4 - Keys Mute

5 - BGV Mute

6 - Frontline vocal Mute

7 - vocal Group mute

8 - MIX select Main L (with a light so I can check I am going to change my FOH mix not someone’s foldback !)

Duncan Whitcombe

@Dnxmirrorsounds

Mirror Sounds & metrochurch

Perth, Australia

T112, iDR48x2

www.mirrorsounds.com.au

www.metrochurch.org.au

9

I am afraid my layout might not translate well.

T112

Left

Layer A Instruments are grouped by type with a DCA right next to each group Guitars,DCA,Keys,DCA,Horns

Layer B Drums & percussion

Layer C copies of a few of Bank A instruments with different processing and open channels

Layer D Playback channels and open channels

Center

Layer A Horns DCA, Vocals with a DCA next to them followed by DCAs for drums/percussion(stuff buried)

Layer B Aux channels

Layer C effects

Layer D effects

Right

Layer A other voices a few DCA (for various purposes) a couple of effect controls for whatever is needed, mains(usually ganged so I only need one of them)

Layer B The rest of the Aux channels

Layer C any other DCAs and anything else not commonly used.

Layer D Matrix and a complete set of main controls.(feeds to delays etc)

For me I like everything I am going to use a lot on the top(and not always in numerical order) the rest I prefer to bury them. Makes it easier for our volunteers in our setting. Since it is highly customized I doubt you could or should make a template based on it.

112T/IDR48/IDR16

10

Mine for my band is set almost like if it was an analog desk.

A Layer 1 is Drum kit, Bass, sax

A Layer 2 is Keys, Gtrs, Vocals

A Layer 3 is iPod, Video/computer, extra RF/MC mics

B Layer 1 is FX returns (6), and L/R/Sub

B Layer 2 is VCAs

B Layer 3 is FX Sends

pretty straight forward–all Inputs on left and all outputs on right (for the most part)

Matthew Grunden

Big Daddy Weave

FOH/PM

iLive T80/IDR32

11

This is my typical set-up on the T112 which gives me lots of flexibility…

LEFT BANK

Layer A: input channels 1-12

Layer B: input channels 13-24

Layer C: input channels 25-36

Layer :angry: input channels 37-48

CENTER BANK

Layer A: L,R,SUB,Matrix(front fill), Matrix(delay stacks), Matrix(spare), input CD, IEM master

Layer B: sends to 8 FXs

Layer C: returns from 8 FXs

Layer :angry: DCAs

RIGHT BANK

Layer A: IEM mixes on stereo auxes

Layer B: sends to 8 FXs

Layer C: returns from 8 FXs

Layer :angry: DCAs

You will notice that layers B, C and D on the Center and Right Banks are the same. I find this very useful for facilitating workflow during a show.

best regards all,

Paul