Check out Presonus’s new QMix personal monitor control app for iPhone/Touch/iPad. Looks realy slick with the ability to lock users to just a single Aux(or more)plus a more “ME” function with clever scroll wheel when device is rotated vertically - and it’s free!
Something like that for iLive would be great! What do ya all think?
Cheers
Richard Howey
Audio Dynamite Ltd
IDR48/IDR16/T112/R72/Mixpad,Tweak,
Dual M-Dante/DVS, 17"MBP/Logic 9/Custom Mackie Control
+1 that is after you get the multiband comp and dyn eq going…
+1
Totally! I had hoped that the tweak app would do this sort of thing, but I was sad to find out that it didn’t.
Please implement this on the iphone/ipod interface. They are cheaper and more prevalent than iPads. The musicians don’t need a huge screen, just enough to tweak their mix or turn themselves up.
+1! I agree, it would be perfect if something similar could be done!
regards … joe
+1
me rate this AAA+ ugaah
cheers
dave
allways latest firm and software
iLive-144/t-80/idr-10 /idr-48/dante/pl-6/eyepad 1/belkin router/
The new Q-Mix of course is a nice implementation for personal monitoring features, but it presumes everybody has got an iPod/iPhone/iPad, the WLAN @2.4Ghz is reliable in the location, and the musicians/artists are familiar with app! I personally don’t like GSM-phones/devices on stage during show-time.
GLD comes with an AVIOM compatible port, no idea about the details A&H wants to go. But we’ll see more soon, I guess.
And in my opinion it is not a question of what kind of fancy products can be developed, but what is the real need of semi-pro and professional (musician/artist and rental) market.
@A&H, looking forward to your statement!
Cheers
Gunter
Günter Eisbach
dL-Recording
Darmstadt / Germany
I’m with Gunter on this. Giving control of WEDGE monitors to musicians is pretty dangerous in the least, even if they are locked to their own mixes. The only good results I have ever seen with this approach to monitor mixing was with an established group, all on wireless in-ears using an analog monitor mixer, and they still have regular issues.
I regularly use digital wireless mics (Line 6) that operate in the 2.4 Gig range, and I can assure you that there will be serious issues with any wifi in that range. I MUST operate Editor and Mixpad in the 5 Gig range when these mics are on.
Tim Tyler
Detonator Sound
Richmond, Va USA
T112/48 R72/32 laptop iPad Dir-815
now there’s a reason out on the mixbutton for midicontrol …
maybe …
cheers … joe
A&H MUST do this before everybody does it.
This is a highly regarded feature for the Church Market.
Check this out: www.pivitec.com
A&H CAN do this without any additional hardware; just another iPad app.
PLEASE!!!
Like he said, playing angry birds capability is soooo important
I hope AH catch up soon.
Go wheel of me…forget the tweak … but don’t forget the cute kittens
Seriously … +1 Tim and Gunter
Peter
Never give musicians control to their monitor level … you will never find out who´s feedbackin. “I cant hear myself” is probably gone but sure your stage monitors will clip all time… nice sound 
This kind of system is only usable with inEar.
IDR48 & T112, iPad, Belkin Wireless, Dante, Lenovo i5, Samplitude ProX
What about making a PlaNet device for the purpose? Roland’s made a nice solution: https://www.rolandsystemsgroup.com/articles/100009
Jukka “Pitkä” Kurkela
Äänimaisema Oy, Finland
iLiveT80 / iDr32
+1 for the PLANet device
SRV-AVB
R-72, iDR-16, xDR-16, Dante
Theres no need for another pointless stupid app.
Everytime they dedicate resources to something like this it means that less resources are available for real things like hardware developments.
Personally all these ‘toy gimmicks’ i could do without.
Just give me a console that wont ever crash, and the support available to help me if it ever did fall over.
I would rather have control over a stage than musicians that dont know about mic technique let alone ringing out wedges whilst they perform.
What next? Are we all going to start begging the developers for the ability to watch television on out surface screen, just because some crappy consumer desk that nobody’s heard of has decided to integrate this feature into theirs???
We aint talking about a toy here people!
agreed
i have the i pad - thought at the beginning i d use it for running small events but had to “downgrade” it for setting up and soundcheck where it is very cool standing beside a musician (you dont know him therefore he does not trust you) setting up his wedge - bulding confidence.
setting up wedges with the rta showing the frequencies is really a timesaver.
but as soon the crowd comes in with tons of cellphones wireless is not reliable enough - it is somehow but not enough - when i am running a show i want to listen and mix - i dont want to think about " is this or that still working".
i even went back (except for lead voacals) from wireless to wired in ear - less batteries
less misshandled recievers by musicians -less bullturds…
cheers
dave
allways latest firm and software
iLive-144/t-80/idr-10 /idr-48/dante/pl-6/eyepad 1/belkin router/
quote:
Originally posted by steffenromeiss+1 for the PLANet device
Perhaps it’s worth mentioning that PL devices can already be configured to control a particular monitor mix. Buttons on a PL-10 or PL-6 can be assigned to recall partial scenes or PL libraries and make the device ‘swap’ between different layers or banks when more than 8 levels are required.
See an example here: https://www.youtube.com/watch?v=ztjpuPevnds&list=UUFcss4ld83THeNJd1AG1mhg&index=6&feature=plpp_video
Clearly PL-Anet does not carry any audio, but the application in conjunction with wedges or in-ears is straightforward.
Nicola
Thanx Nicola for the reply, but still would the dedicated device be useful too…
SRV-AVB
R-72, iDR-16, xDR-16, Dante
I totally agree does anyone actually mix the sound anymore it seems everyone just into programming and toys im old school and find these days its just become who’s the cleverest comp nerd.
Dave
quote:
Originally posted by GuenterEisbachThe new Q-Mix of course is a nice implementation for personal monitoring features, but it presumes everybody has got an iPod/iPhone/iPad, the WLAN @2.4Ghz is reliable in the location, and the musicians/artists are familiar with app! I personally don’t like GSM-phones/devices on stage during show-time.
GLD comes with an AVIOM compatible port, no idea about the details A&H wants to go. But we’ll see more soon, I guess.
And in my opinion it is not a question of what kind of fancy products can be developed, but what is the real need of semi-pro and professional (musician/artist and rental) market.
@A&H, looking forward to your statement!
Cheers
Gunter
Günter Eisbach
dL-Recording
Darmstadt / Germany
+1