Greetings one and all!
I’m about to take the plunge into the world of Dante networking, and have a couple of questions to put to you all (apologies if this should be two separate posts!)
Firstly, I’m currently out on a UK theatre tour with a T112/IDR48/M-MADI combination. The M-MADI takes an input stream from an RME ADI-648, which in turn is driven from the ADAT outputs of a Tascam multitrack and an RME Fireface audio interface.
Currently, all the musicians are on Genelec 8030A pit monitors, and only have local control of volume; for changes to the mix content they have to notify me. The MD I think would like to control his own mix, so I’m looking with interest at the ME-1 mixers.
So here’s the first question (after all that!) - if the ME-U hub is fitted with an ACE input card, can it be then used to ‘split’ the ACE stream from T112 to IDR48, or does that always have to go point-to-point?
My main reason for switching over to Dante is to try and reduce the fit-up time for the show, and to reduce cable runs. It would, for example, allow me to run one signal cable from the MixRack to the FOH and monitor amp racks.
I understand that if I use a Dante card in the ME-U instead of an ACE card, then the ME-1s will not pick up the channel names from the MixRack? This wouldn’t be too much of a problem I suppose, as for most of the time I’d be setting the gig up offline so all the naming could be done then - I was wondering what sort of experiences forum members have had with this kind of setup.
So, the second question - currently, the RME ADI-648 is the clock master for the system, embedding the clock in the MADI stream for the MixRack and sending WordClock out to the Fireface and Multitrack - if I move over to Dante, thus replacing the M-MADI card in the IDR-48, how does one set up a clock master in a Dante network? I was hoping to retain use of the ADI-648 for interfacing to the ADAT sources, and use some sort of MADI/Dante bridge to interface this gear (which normally sits in one of the FOH racks) into the Dante network.
Regards,
Andy