I hope that the following does not offend A&H - apologies in advance - but that it may not only be viewed critically by other users.
There are these really great add-ons DYN EQ4 and Multi BD3/4, but in my opinion the handling of these is anything but nice and rather very uncomfortable.
Setting it up on the Avantis isn’t really fun, but on the even more slimmed-down version for the SQ it’s even worse.
I’ll describe this using the DYN EQ4:
I have to constantly switch back and forth to get to all the parameters of a band - “Tresh ↔ Filter”, of which the selected one always lights up green.
Then I also have to switch between 2 x 2 bands.
That alone is a total of 4 different settings screens!
Then there is the “Parallel ↔ Cascade” switch, where, unlike Tresh/Filter, the selected green does not light up.
The same applies to the switchover “Std9 ↔ Fast9”.
But with “Above ↔ Below” there are again 2 buttons, of which the selected one lights up green.
“Bypass” lights up red - otherwise Allen & Heath usually has a round green “In” button.
Sometimes there is a 3D button (Comp - Exp) but then there are simple sliders for the remaining parameters (Freq, Width, Tres and Master Trim).
Then there are the 4 square In buttons arranged 2 x 2 for 4 effects next to each other.
And finally there are the 2 horizontal displays in green and red per band, which are probably not even available on the Avantis.
It doesn’t have to be, because they probably correspond to the changing level displays in the graphical display.
There is a touchscreen - even a large one on the MixPad - but even there you can only change a single parameter in the graphic display: Freq (intentional?).
If I move this and want to see the frequency information, I have to switch up to 2 times - namely to the frequency and the band pair if necessary.
I’m usually unlucky and the frequency information is obscured by the finger I’m pushing with.
If I then want to adjust the threshold, I have to switch back to Thresh and select the desired band, etc. etc.
The presentation also seems strange because no attempt has even been made to bring it closer to the PEQ of the SQ.
Instead of a continuous frequency line, the frequency changes are seen as colored areas, which are transparent and therefore very dark and are therefore difficult to see, especially in daylight.
What’s also confusing to me is that the thin band curves react not only to the Comp/Exp control, but also to Threshold.
(I don’t understand the connection and can’t find it anywhere).
All in all, everything is nice and colorful, mixed up, confusing and absolutely nothing for live stress.
I also don’t really understand the function of the “Parallel ↔ Cascade” switch.
All factory presets are in Cascade mode, where each band is influenced by the activity of the previous one.
I also don’t want to succeed in creating differences between the two positions.
What am I doing wrong?
Somehow I always thought you couldn’t design the surface any other way.
In this respect, I was surprised when I was able to use the DYN EQ4 with the “Mixings Station” app for the first time.
All 3 parameters, frequency, Q and gain (compressor or expander) can now be set as usual in no time on the touchscreen.
You only have to use another controller for the threshold.
Everything is simple and clear.
Something like that should also be possible on the SQ/MixPad and so i tried to design a variant of the SQ-GUI in the same SQ size and retaining the controls, which is still easy to use and does away with the many confusing switchings.
If users are also not satisfied with the current interface, I would be happy to present this variant here compared to the original.
I doubt that A&H would change anything about the current GUI, but it might still be worth a try.
Thank you for reading!