I agree on HPF & LPF for certain mix outputs. Phase switch - would it be polarity? Phase is time and delay is already there. Polarity would be good, yes. Phase from 0 … 180 deg - was it intended as all-pass filter?
I think this has been mentioned previously, but separating the MUTE & PAFL buttons in Editor would be VERY appreciated - they’re too close for comfort in the heat of battle! Also, would it be viable to enable all the softkey functions in editor (ie allow the Mix & Sel functions to operate correctly in the softkey simulation the way all the other functions already do)?
Softkey ‘banks’ would be great too. They’re already capable of so much that eight doesn’t seem to be enough sometimes. And timed fader position changes between scenes would be lovely.
Id like to just echo an earlier thought from the other thread: It would be great to be able to link 2 of the three banks (t112).
Also - it may be a stretch, but independent (even basic) channel EQ’s for aux sends… so we can have a true virtual monitor board with the wifi tablet.
AND: It would be nice to be able to enlarge/customize the sliders in the editor software - it would make it easier to do MON from on stage with the tablet.
Resizable channel strips in the edit so you don’t have to use your glasses everytime you want to click on the mix,select PAFL etc. Or maybe easier z for zoom in and magnifies to a preset value the strip your working on.
Can I revisit having a width control on stereo channels please?
1 I aggree on that - at the moment if you lose one channel of a stereo source the only way to make the remaining channel mono (ie to feed both L & R outputs) is to assign through a group. If you don’t have a group set up then this can take valuable time. Also sometimes stereo sources need to be mono’d up a bit live so the audience can hear both parts if they near to only one PA stack.
BIG + for the resize feature in editor (particularly for the touchscreen usability)!
For now, I use a 22" or a 24" touchscreen, connected to my laptop and I use the Windows 7 builtin fullscreen magnifier. So far that works for me.
I’d like to be able to copy one custom strip to another to make minor changes. Or being able to copy combinations of channels from one custom strip to another.
Hi Wouter, yes I’m doing the same thing - a 24" touchscreen connected to my laptop, but I’ve found I can get away without magnifier for the most part… I’d just like to be able to make those targets (the faders particularly) a little easier to poke!
I’ve found that I’m using fingers for fader moves & a stylus for the rest (that combination seems to work best for me)
First option: Creating a dedicated Editor USB controller. Just like a Chamsys for the light world, a similar thing for the audio world. Same price setting (<2000€) for use with the editor_USBcontrol addon package
Second option: an editor_Touch addon package for optimized use with touch screen computers.
Third option: an editor_Scenes addon package for advanced scene management.
Fourth option: an editor_iPad version. an editor Android version…
Can I revisit having a width control on stereo channels please?
1 I aggree on that - at the moment if you lose one channel of a stereo source the only way to make the remaining channel mono (ie to feed both L & R outputs) is to assign through a group. If you don’t have a group set up then this can take valuable time. Also sometimes stereo sources need to be mono’d up a bit live so the audience can hear both parts if they near to only one PA stack.
Cheers
Richard Howey
Audio Dynamite Ltd
IDR48/IDR16/T112/R72
+1 for this. I just had that tricky situation when keyboard player broke his cable (connector) during the show by kicking the DI-box and then loosing one channel.
quote:First option: Creating a dedicated Editor USB controller.
AH should be working with USB-faderboard for PC. This might come out sooner than we think… or not :o)