What *IS* the TRUE dBFS level when the red LED lights

The documentation is confusing.
Is the red Led equal to 0dBFS or is the red Led actually -18dBFS ? or is is something else?

I take it to be -18 or else there would not be 18dB headroom the document specs claim.
If it is really 0 then going into the yellows, which the manual says is fine, could be a problem.
Certainly riskier for clipping than I would be comfortable with.

There is no marking on the board for the RED Led that I can see, and the yellow lights (+3, +6, +12) are not equally spaced so unsure how much farther the Red Led is from the last yellow light. Is the Red 3 , 6 , 9 , 12, 18 , other dB higher than the the +12 yellow?

Which red light? What documentation? Why dbfs?

The Qu metering/lights are dbVu, but whichever way you prefer to measure, the user guide simply states that the red LED associated with the metering system lights 3dB before the onset of clipping for either dBfs or dBvu. See attached screen shot:

@DickRees

I mean the red light on the top of the pseudo-peak/peak-like meter towards the right hand corner.
This is not a VU meter with known ballistics, and I really do not care about dBu which is related to volts,
but do care about dBFS and clipping.

The manual relates the 8 green (-40, -20, -16, -12, -9, -6, -3, 0 ) 3 yellow (+3, +6, +12) and no value (“Pk”) red ,
to dBFS.
And also says there is 18dBFS headroom. I infer from your comment that that the channel green means -18dBFS if the manual meant dBVU instead of saying dBu

Clipping starts at 0dBFS.
dBu relates to voltage levels. The image you show does not have any dBvu just dBu.

The question is what the red Pk light on the LR meter in the top right means in terms of dBFS

The channel meter lights are nice but rather crude although a good supplement to the LR out meter.
But do not seem to match those LR lights.
They turn on at -40 while the channel meter says -26dBu is signal detected. How do you detect voltage in a digital computer?
Their last green one is labelled 0 no units, while the channel green labelled 0dBu (voltage ) would be is -15dBFS (relative to digital max) I as know headroom in the digital realm if they had said dBVU not dBu.

dBu is of no value to us in the digital world, we need to know dBFS. dBu will happen after the D/A conversion.
The studio recording level (pro audio) of +4 dBu means a voltage of 1.228 volts. And was useful with an analog board.
Not so much with the digital mixer.

Really looks like some FH engineers confused analog and digital when they designed this device and rewrote the manual.

V…

content removed - personal comment that does not contribute to the thread Seemingly simple statements such as “clipping starts at 0dBFS” is so incorrect and misleading. For one thing, the “0dBFS” point is not a “starting point”. A digital signal by definition cannot exceed 0dBFS, thus in your terminology it would be an ending point. It s the proverbial “brick wall”. Such seemingly small discrepancies are anathema to those seeking a fuller understanding.

Clipping can occur with a live sound system at many points and may or may not be subject to detection by metering. Most such metering is RMS if for no other reason than the longer measurement sample is more “real world” than transient peak measurement…which is very difficult to implement.

The meters can’t tell you how it sounds. You still have to use your ears.

Next time you cite some document or white paper on any subject, be so kind as to provide complete citation and a link. As is, all we have is your interpretation of the un-named source, comparing it to “internet opinion”…content removed - personal comment that does not contribute to the thread

Addenda:

The “AudioWiki” dB dBu dBFS dBV to volts audio conversion digital - calculator volt to dBu and dBV dB mW SPL dB decibels 0 dBFS - convert dB volt normal decibels relatioship relation explanation analog audio absolute level true rms convertor converter decibel to dbfs converter calculation online attenuation loss gain ratio reference audio engineering sound recording dBFS dBVU 0 dB audio logarithm level converter peak to peak p-p impedance voltage pro consumer audio digital analog recording level - sengpielaudio Sengpiel Berlin

@DickRees

0dBFS is the maximum in the digital world that does not cause problems.
dBFS is always measured down from 0dBFS.

0dBFS is where clipping starts – unless you lower the final before conversion with D/A.
So yes, you could go to +ndBFS but that will not convert to the correct analog version.

There is a big difference between analog and digital. And yes clipping can occur at many places.
Which is why you should not be running digital anywhere near 0dBFS in any place.
And you can not set channels anywhere near the top and then expect to add them together without problems.

My rule of thumb is to never go over -12dBFS anywhere.
You could do -18dBFS or even some more as there is plenty of DR and very good S/N for a huge range.

Many digital devices now use peak metering to ensure you do not go over 0 and clip.

We do use our ears, but meters can help stop us from ever hearing that it was distorted or worse due to clipping.
Our goal is to prevent it not fix it.

content removed - personal comment that does not contribute to the thread It came from a major mike manufacturer. Not sure where they found it.

Your png image agrees with what I said. There is no direct volts to dBFS conversion. But there is a maximum dBFS before clipping and the question is the relation to 0dBFS and the red light on the Qu32 mixer in the upper right for LR out.

Good articles!

Hmm, i read the LEDs and especially the Pk LED simply in a practically way. If the red light goes on on the desk (and so the manufacturer too) says me „ui, too much lower down the volumn“, if the yellow( or orange) LEDs starts to light, the desk sys me „attention, its ok but you are close to danger“. Green means that every thing is fine, no LED means no or too less signal level.
Based on what happens after the DA conversion the manufacturer defined -18dBFS as an equivalent to 0 dBu. So Pk is -3 dBFS for me but i don not care, because… the above.
So, you can think about theoretical stuff the whole day but PK means you are too loud are your PA is to small for that location.

In one of the recent posts about recording levels to a USB drive, someone from A&H said that the “0” green LED on the meter corresponded to -18dbFS in the recording.

@MfK0815
I agree
Same! ditto!
Unless someone is requesting specific instructions that the end result should be XYZ level.
I use my ears and NEVER hit the red
Check all amps when powering during in an event to check as well!

And I’ve had to run my QU at 124 db [monitor mix] on a very large “on stage SPL” outside stage.
Analogue meter.

@Ryan

That is how I read the spec sheet and documentation.

I was hoping someone from Ah would give a definitive answer.

IF the green peak is -18dBFS then rarely touching it would not be a problem. And that would normally only be some extreme event that caused a peak like a gunshot in a movie.

But if it were only -3 Then there is a lot of risk that TPs would cause clipping.

Right now we are barely into the green on the bottom but would do better if we occasionally touched the yellow, as the manual also said was normal operation. I really wish this thing also had a real VU meter.

The MD now wants us to use a handheld SPL meter to judge the loudness that the audience is hearing , which is much more than we hear up in the balcony. If we had a number in the balcony that we knew related to the audience levels then the audio team folks could have consistent loudness for the audience week to week without being too loud or too soft. It might be too hard for us to hear without using the earphones but it would be right for the audience and the church service.

@Ryan

If 0dB green light is -18dBFS then I would never want to ever see a yellow light even if one or two of them was not yet a problem.
But that is me.

I know digital since I had it in grad school some 50 years ago. I know that there is plenty of DR and S/N and there is no reason to push 0 for any reason unless you are a rock band trying to make your mix louder than every other band because you think louder is better.

@williamadams why are you lecturing me about never wanting to see a yellow light? Did you mean to direct that comment at NZdave?

That IF comes across as kinda rude, I know what the post I said saw, content removed - personal comment that does not contribute to the thread. Here’s the post by someone from A&H, content removed - personal comment that does not contribute to the thread: https://community.allen-heath.com/forums/topic/usb-b-output-volume-control#post-45342

@Ryan

Not lecturing.
Telling you my comfort zone for risking clipping.

Your post said << someone from A&H said that the “0” green LED on the meter corresponded to -18dbFS in the recording. >>
so if that is true then I would not want to go into the yellow. So my answer << If 0dB green light is -18dBFS then I would never want to ever see a yellow light even if one or two of them was not yet a problem. But that is me.>> stands.

I have seen the USB volume control post. No idea if that really applies to the main LR out lights. But the DAW level is a separate issue from what is happening in the mixer which was my question.

And again, IF the 0 green led on the LR out is really -18dBFS then I do not want to go into the yellow ever. But that is just my comfort level no matter how many rock bands want to push right up to 0dBFS with their gear. And I see some go over 0dBFS and ignore the distortion from clipping. I guess when its that loud you cant really hear what is happening anyway.

Red light comes on at +15dB (-3dBFS). Clipping occurs at +18dB (0dBFS)

DC

If you require 18dBFS of headroom to feel comfortable, great, you do you. I don’t care to get a multi-paragraph response to such a short informational post. Maybe one of the people who was talking about how they never hit the red would care more rather than the person simply pointing out an A&H post.

content removed - personal comment that does not contribute to the thread Mute a channel (iPod stereo or USB input maybe playing a fixed frequency tone) in the main mix/monitors and solo it, then turn up the gain and listen in the headphones (with the volume control set to a safe level) until you start hearing clipping or see the red peak light blink — there you go, you’ve now got a better idea of how far different LEDs are from clipping and what your comfort level with different LEDs is. I don’t really care to hear objections about how this isn’t a particularly great idea or why it can’t be done — just wait for an A&H rep to answer the question instead, or try opening a support ticket.

@DavidCo

Thanks.

That was implied in one place in the documentation. But other places seem to say differing things.

@Ryan

I have done research.
Only have the necessary mikes on and set to provide proper sound to the audience.

Feel free to NOT read my posts. Or to respond unless it makes you feel better.

Ahh, things make sense now. It’s tough not having some time outside of services like a soundcheck/rehearsal to experiment and try things out in a safe space.

@Ryan
The music director has perhaps an hour to try a sound check with new things being done that week.
We have to expect the weekly routine items will work right again.

And he is up to his alligators with other duties which limits his time.

However he did suggest that we try to meet once a week for a while so the noobies can get more hands on without any stress.
And he has spent a couple of times with the dealers tech to go over everything. Don’t know what the disconnect is from that and what actually happens Sunday AM. We did find that one knob had been turned without the channel being selected. Not sure what that did but apparently it was part of the problem. We put a cup over the gain knob to remind people to NOT use it. Eventually everyone will be set as only basic user when we are sure that no other things will need to be changed except faders and mutes.

He has many rehearsals but only with the sound system before Sunday AM services.

Today he had two of us measuring the sound levels in the balcony and audience.
I suspect that that will lead to some improvements albeit just tweaks not major changes.